I want to be kind here, so let me explain. I work at a private
museum and know full well the limitations of creating something for the general
public without the mechanisms public organisation enjoy. There is no copy or
graphics department to have print up your scripting, nor are there the teams of
professionals to help filter and create information and content. At a private
museum there is usually one person and the best printer they can afford who,
between serving at the front counter or talking to visitors, sits at a desk and
bangs this stuff out as quickly and accurately as they can.
Next is the problem of the actual displays. As a private
organisation very few government institutions take you seriously (or are
sometimes outright hostile), thus any display you have found, created or bought.
All of this costs money and the only money a private museum has is whatever
comes through the door. Public institutions have the bonus of public funding
and collections- often created over centuries of exploration and millions of
tax dollars spent. There is no back room in a private museum where you can go
and grab a few items collected by a scientist in the 19th century to
create a new display- often all you have is already on show, and getting
anything new can be a real struggle.
Location, location, location. A private museum does not have
the simple support of a building supplied to them by the local or national
government. Often these private museums may be in a building built for some
other purpose (the National Dinosaur Museum is in what was originally a
gemstone museum and is lucky for that reason); but the simple benefit of not
having to pay rent- or perhaps only a stipend to the government who is happy to
have the building occupied, cannot be discounted. Private museums have to rent
whatever is at hand, and the cheaper the better, on a building likely less
accessible to the public.
If you want your museum in a spot where the tourists are, this is obviously going to cost a lot, and budgets are always tight. You are also rarely going to have permission to adapt this building to your needs, it is a rental after all and the owner doesn’t want you knocking down walls or bricking up windows, so you need to adapt your displays to the building, not the other way round.
There are also limited opportunities for donations. If you
are lucky locals fall in love with your organisation and rally to keep it
going, but never in the way for public institution, which get the added bonus
of being in the public eye. Government funding means government advertising as
well, and co-operation between public institutions at a level a private museum
only dream of. They also have far more access to grants- and all of this is
often on top of an admission charge just like a private museum.
I really do
sympathise…
…that said. In 2008 we were completing a circumnavigation of
the UK and stopping at as many of the locations I had spent my childhood reading
about as possible. Just the idea of taking a car and driving much of the
coastline of the islands brought gasps of horror from many of the locals I had
befriended. For some English traveling is something you do overseas, not within
your own country, so driving to the next town, much less the next county or
country is something they just don’t do. The idea of driving from London to
Scotland (a journey of around 7 hours) is staggering to them, and it was hard
to explain that in Australia that’s how far it is to the local shops….ok, not
true…but I live in Canberra and the next big cities are Sydney (a 3-ish hour
drive away) and Melbourne (8 hours), so long distance driving is just something
all Australians do.
A check list for a museum groupie.
Because of the strange L-shape of the mainland, we did this
in two trips, with the first heading from London to its most westerly point,
Land’s End. This journey would take us past Lyme Regis, a location all fossil
fans will know (and a blog for another day) and a lot of great, ancient
castles. The drive also took us through Dorchester.Before any drive I do my homework as there is nothing worse than getting home and realising you missed something cool or important that had been near your path, but you had been unaware of at the time. A number of the smaller, ‘boutique’ museums I have visited only happened because I looked for what was in the area we’d be visiting and working out beforehand how I could fit it into our route.
I know this all sounds obvious, but remote regions often
have fewer roads and often you need to carefully plot out your path or else you
could find yourself wasting hours of travel retracing your steps to get to these
distant locations. This is also especially true if you are visiting places
where the roads close due to seasonal weather (I’m looking at you Wyoming).
Before any trip I sit down and draw out a map and work out
the actual time needed to get places, both by distance and time. This map is
always with me on the journey. I also have a note book with these details in it
so that I can quickly write down notes that will be in sequence- this means at
a later date I know exactly what order things occurred in, and perhaps reminds
me of some information not in the thousands (and I do mean thousands) of photos
I take.
It’s also a good idea to check closing and opening times and
add these to your notes. For example sometimes a museum may close at 5, but last
admission is at 4, or it closes at midday during the quiet season or is closed
on a Monday, so you need to be aware of all these things or else you’re going
to travel a long way only to be greeted by a closed sign. It happens. I missed
out on the Venice Natural History museum as I visited on the only day it was
closed, and worse, I could have gone the day before but had left it until the
end of my trip. Italy is a long way to go not to see something, and it’s a
lesson I learnt well.
You may have noticed so far I really haven’t talked much
about the Dorchester museum…well I was hoping the images would say everything
that needed to be said.
Ok, here we go. The museum’s own website claims:
‘Britain's original
and award winning attraction, The Dinosaur Museum located in Dorchester, the
county town of Dorset, only 7 miles from the Jurassic Coast is a great day out
for all the family! Close to Dorset's World Heritage Jurassic Coast. The
Dinosaur Museum opened in 1984, in Dorchester, gateway to Dorset's World
Heritage Jurassic Coast. From the very beginning visitors loved its novel and
innovative approach to dinosaurs, and it quickly became the Town's foremost
visitor attraction bringing, over the years, millions of dinosaur hungry
families and schools to the county town.’
The museum is small and many of its displays are handmade (read into that what you will), it is also in the UK, where there are very few opportunities to see fossils and dinosaurs. It does have some hands-on stuff and some older, quaint displays. It also has a fine shop with a lot of fossils and dinosaur models for sale.
One true gem the museum displays is a ‘Dinosauroid’. In 1982
the Canadian palaeontologist, Dale A. Russell, speculated that if certain
intelligent dinosaurs like Troodon had survived the K-TP extinction, there was
a chance they’d have continued to evolve into something vaguely familiar. They
had large brains (for a dinosaur) and manipulating hands, suggesting their
evolutionary path may have become a little more like an ape than a reptile,
perhaps even allowing them to develop an opposable digit at some point.
Mary Anning, who made the region famous. |
If you don’t go in expecting the world, but a sweet experience of a museum with limited resources doing its best, well then it’s ok. Also if you are spending time in the region there is a 5 museum pass you can purchase for a number of institutions in the region (including a Tutankhamun and Terracotta Warrior display) , so this should alleviate any disappointment.
NOTE: My visit was several years ago and things may have changed since this time.
What is a UK museum without a Doctor Who prop? |
The one photo that failed....sigh.... |