The world’s most famous
tyrannosaur has a new home…well, maybe not a new home per-say as the fossils are
still housed at Chicago’s Field Museum (FM), but it is now part of a new exhibition
– one the designers were determined would reunite all the dinosaurs remains, as
previously they were displayed in various locations throughout the FM.
I was
lucky enough to be part of the FM’s staff event, were the new display was
explained to us in detail (and why I believe I’m providing a lot more background
information) and the recent Sue media event, when the world’s media got an
early look and the chance to film and report on the display before its opening
to the public.Sue vs the Field Museum's massive foyer. |
After receiving a substantial donation from the Kenneth C. Griffin Charitable Fund, the FM set about renovating its prehistoric displays. The first part was moving Sue from the museums’ cathedral like foyer, then replacing the tyrannosaur with a dinosaur that would fit inside this space. Enter Maximo, the Patagotitan replacement for Sue that now dominates this hall.
Next, after decades of work looking for fossils in Antarctica, the FM used part of this donation to create the Antarctica Dinosaur display that is about to finish its short-term run-in Chicago and head out to museums across the world.
And now one of the last parts has
been completed (and well ahead of schedule I should point out) with the new Sue
exhibition being opened to the public this Friday (the 21st of
December).
The display is terrific, with a visitor
entering through a Cretaceous forest into the exhibition proper, which has been
laid out in a strange chronological order. The first fossils you see are containers
filled with the tiny pieces of bones that Sue Hendrickson first saw lying on
the ground back in 1990. It was by following the trail of these tiny pieces into
the nearby cliff-face that led Sue to discovering more bones weathering out of
the South Dakota soil.
On the wall following has been reprinted
the actual charts of how the tyrannosaur was mapped as it lay in the ground. These
have not just been reprinted but slightly enhanced as many of the original pencil
lines were faint and had faded with age. Not only are they interesting and part
of the story, they are also artworks in their own right and deserve their place
within the exhibit.
This is also a great place to
check out something that one might not notice during your first visit…the carpet.
To show you the clever way the designers have approached this new display, they
had even looked at the flooring and designed it to resemble the sort of lichen
that would be found on the rocks of the region…Lichen carpet…amazing.
What looks like a wall with a mural
is actually a print that, on closer inspection is see through. This means if
the lighting is right you can see the Sue skeleton shining through the print
and matches up perfectly with the T. rex art work (which I believe was created
by Velizar Simeonovski – though I will change this if I’m wrong).
On the other side of the screen
is the rest of Sue, remounted and looking fabulous. Listed below are the many
changes to the dinosaur’s stance since its move:
- Gastralia. These ‘belly-ribs’ are not actually part of the ribcage but are more like the bottom armour seen on turtles. These are rarely displayed, and Sue’s have never been associated with the actual skeleton (previously they were in their own display case one floor above the old exhibit).
- Right leg. The original display had Sue stepping up onto a ledge, which looked somewhat dramatic but actually meant the right leg was out of position (the knee would have been dislocated when alive). The move meant this issue could be fixed, and Sue’s right leg is now in a far more life-like position.
- Wishbone. Sue was famous for being one of the first T. rex’s to have an identified wishbone, yet recently the opinion has grown that this bone was actually a stray rib from further back near the legs. Wishbones on other specimens have been found since Sue was put together, and this led to another bone being identified as the correct fossil.
- Jaw. Though originally not hung incorrectly, the lower jaw
has been slung a lot lower. This has given Sue a much larger gape, creating a
far more fearsome visage.
- Shoulders. Both shoulder blades were brought forward and lowered, (jokingly) this means Sue could clap (note- this is not my joke but paleontologist Pete Makovicky’s during our training….so blame him :P ) .
- Ribcage. The rearrangement of the shoulders meant many other things were changed, including the ribs, which were hung with a greater angle. Previously they were hung horizontally.
The new jewel of this exhibit however is the light and sound
show that triggers roughly every 15 minutes or so. The lights in the entire
room fall, a spot light hits Sue’s skull, creating a Jurassic Park logo like
image, which then comes alive.
The narrator then goes on to explain a lot about
the biology of Sue and many of the visible features, and as it does the
specific items mentioned (healed ribs, eye sight etc) are highlighted in one of
the cleverest fossil shows I have ever seen. There are similar displays for
other dinosaurs (such as the mummified Leonardo at the Children’s Museum in Indianapolis),
but nothing this well done.
https://www.facebook.com/phil.hore/videos/10217168250495154/ |
Around Sue are a number of stations with touch screen displays and many of the dinosaur’s fossils cast in bronze for visitors to touch.
Behind
the tyrannosaur hang a number of panels, roughly 10ft apart that, when you
stand in a certain spot line up to create a solid wall.
This is the video part
of the display, where three different mini-movies play revealing much of Sue’s
life story. One is Sue hunting a herd of hadrosaurs, with the actual eating
done conveniently off-screen so as not to disturb younger visitors.
https://www.facebook.com/phil.hore/videos/10217168378698359/ |
Another is a possible explanation of how Sue received that horrible leg wound that was likely the cause of death after it grew infected. A feeding triceratops is attacked by Sue, thrilling so many of us who grew up with these two eternal enemies fighting it out in our sandboxes in plastic dinosaur form when we were kids. The Triceratops, however, proves to be more than a match for poor ol’ Sue, who receives a nasty wound to the leg.
Finally Sue walks up to a carcass of an ankylosaur, takes a
mouthful of meat, takes a drink from the nearby river and then does a big ol’
poo right in front of everyone – triggering the 5 year old within all of us to
giggle. Sue then walks right up to the ‘camera’, looks out at the audience and
gives us the evil eye, as though saying ‘what are you looking at?’
https://www.facebook.com/phil.hore/videos/10217173016654305/ |
These screens are a clever feature and reveal the depths of
forethought that went into this new exhibit. The area is not the largest, and
the designers understood the display would be visited by large numbers, so
creating a wall that is in fact no wall at all, takes up virtually no space and
allows people to walk around and through is simply brilliant.
Behind the screens is another dinosaur - that’s correct, its
not all about Sue here. The FM’s Triceratops skull sits in its new home, and
looks the better for it. Not only has it been raised to eye height, somehow
this has made the thing look bigger than its previous home in the FM’s dinosaur
hall. There is also a terrific photo here showing how this skull was found in
1904, and you can see it in situ.
Behind this is a wide display of many of the fossils that
were either found alongside Sue or are known to have lived at the same time – evidence
of the world this tyrannosaur lived in.
There are plant fossils, pterosaur
bones and a few more dinosaur remains. One is the skullcap of a pachycephalosaur, another the armoured scute of an ankylosaur, and their presence explains why both herbivores are featured in the Sue videos.
Also sitting serenely in the middle of this display here are
two neat little fossils; a bone from a juvenile T.rex.
The display opens to the public on Friday 21st December
2018 – and numbers are expected to be so high for the first two weeks that
entry will be ticketed (free with normal entry). Safety requirements only permit
a certain amount of people in the room at the one time, so to ensure this when visitors
to the FM arrive, they will be given a ticket with THEIR time stamped on it for
their entry.
These will be limited in number, so my suggestion is either wait a
few weeks or get to the museum early to ensure you can get in. To make sure
those who cannot get a ticket can still see Sue, there is a side window where the
public can still get a look at the world’s most famous tyrannosaur, but this is
not the way you want to see the exhibit- so ARRIVE EARLY!
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